Jay T Scott is a furni­ture maker, wood­worker living in Olympia, WA. His work is a reflec­tion on how we live and how we respond to objects. It reflects his prac­tice of working the way we love, pursu­ing excel­lence and attend­ing to the details and possi­bil­i­ties of each piece.

Tom Stark is currently a 4th semes­ter student at the Vermont Wood­work­ing School study­ing Fine Furni­ture Design and Woodworking

Porter is currently a 4th semes­ter student at the Vermont Woodworking School

This week we are featur­ing two more students from the Vermont Wood­work­ing School’s 3rd semester program.

This week we are featur­ing two students from the Vermont Wood­work­ing School’s 3rd semester program.

Jomo Tariku is an Ethiopian Amer­i­can artist, indus­trial designer, and a pioneer of modern African design. In 2017, he launched his name­sake collec­tion featured in numer­ous publi­ca­tions includ­ing Elle Décor, Archi­tec­tural Digest, and Inte­rior Design. His work is also included in the perma­nent collec­tion of major museums includ­ing the MET, The Mint and LACMA.

Learn more about Jomo:

https://​www​.jomo​fur​ni​ture​.com/
@jomofurniture
https://​www​.face​book​.com/​JomoF…

Rob Spiece is a furni­ture maker and teacher living in Berea, Kentucky. He is the Direc­tor of Wood­craft at Berea College Student Craft. He creates his own designs as well as custom furni­ture with simple lines and elegant forms, focus­ing on design, joinery & finish­ing. Rob has had arti­cles published in Wood­craft Maga­zine, Fine Wood­work­ing, and Furni­ture & Cabinetmaking. 

Learn more about Rob:

https://​www​.robert​s​piece​.com/

https://​www​.insta​gram​.com/robe…

Peter Antor received his MFA in Metal­smithing and Jewelry with a minor in Wood­work­ing from Edin­boro Univer­sity of Penn­syl­va­nia in 2016 and his BFA in Metal­smithing and Jewelry from Grand Valley State Univer­sity in 2011. Peter works with a wide range of mate­ri­als from precious metals to concrete and wood. His body of work ranges from sculp­tural jewelry to func­tional light­ing. Archi­tec­ture has a large influ­ence on his work and designs.

Recently he opened a design and fabri­ca­tion company in Chicago where he creates orig­i­nal and commis­sion-based work. His favorite part of this prac­tice is ideation and the subse­quent problem solving of turning that idea into a tactile piece: first, choos­ing what mate­r­ial would best express the idea, then decid­ing the proper tech­niques and tools to turn the raw mate­r­ial into some­thing beau­ti­ful. Peter’s studio is located in the Mana Contem­po­rary build­ing in the Pilsen neigh­bor­hood of Chicago.

https://​www​.peteran​tor​.com/

https://​www​.insta​gram​.com/​p​e​t​e​r​a​ntor/

Lauren is a South­ern Cali­for­nia based artist and furni­ture maker. She received her AA in Arts and Human­i­ties from Chaffey College in 2017 and in 2021, completed her BA in Applied Design at San Diego State Univer­sity with an empha­sis in Furni­ture Design and Wood­work­ing. Since 2012, she has worked at The Maloof Foun­da­tion and in 2017, Lauren began her appren­tice­ship with master crafts­man Larry White, Sam Maloof’s first employee circa 1962.

Lauren’s work ranges from furni­ture to sculp­ture with no limi­ta­tions on mixing media. Lauren teaches regu­larly at The Maloof Foun­da­tion as well as Allied Wood­shop in Los Angeles, CA.

During the pandemic, Lauren co-created an online student plat­form with artist/​maker Esther Cho, through The Furni­ture Soci­ety’s FS Connects project, to provide resources, discus­sions, and commu­nity for craft students across the country.

Find Lauren on the web: https://​lauren​ver​dugo​.com/

Andy Buck spent much of his youth living in Geneva, Switzer­land while his father, an expert in trop­i­cal medi­cine, worked for the World Health Orga­ni­za­tion. Immersed in an inter­na­tional envi­ron­ment, Buck gained an appre­ci­a­tion for multi­cul­tur­al­ism and was first exposed to the many cultural and geograph­i­cal wonders of the world. Inspired first by African and Oceanic arti­facts through his father’s frequent travels, his fasci­na­tion with unique artis­tic perspec­tives and global inter­pre­ta­tions of the natural world has guided his creative prac­tice as a furni­ture designer and artist. An active maker for more than 25 years, Andy Buck has exhib­ited his work in galleries and museums through­out the United States, in Europe and Australia. Bring­ing together tradi­tional crafts­man­ship, inves­ti­ga­tions in form, pattern, and color­ful painted surfaces, his work of furni­ture and sculp­ture is included in both public and private collec­tions. Based in Upstate New York, Buck main­tains a studio and leads the Wood­work­ing and Furni­ture Design program at the Rochester Insti­tute of Tech­nol­ogy where he has been teach­ing for the last 22 years.

Find Andy on the web: http://​andy​buck​.com/​h​o​m​e​.html

Teresa Audet is an artist and furni­ture maker from Minneapo­lis. Audet holds a BFA in Furni­ture Design from the Minneapo­lis College of Art and Design and has studied at the Mount Fuji School of Fine Wood­work­ing in Yamanashi, Japan. She has been awarded several grants includ­ing two Artist Initia­tive Grants from the Minnesota State Arts Board and an EFASO grant from the Furni­ture Society. She partic­i­pates in artist resi­den­cies and teaches at craft schools nation­wide. Audet is currently an MFA candi­date at the Univer­sity of Wiscon­sin-Madison expected to grad­u­ate in 2023.

Find Teresa on the web: http://​www​.tere​saaudet​.com/

Richard Oedel has been making furni­ture since he was a teenager. His primary shop is in Boston, where he shares a 5,000 sq ft space with the other members of Fort Point Cabi­net­mak­ers. He divides his time between Boston and his other design space in Wolfeboro, NH. A past Chair­man of the New Hamp­shire Furni­ture Masters, his work is sold and exhib­ited inter­na­tion­ally. Federal furni­ture is one of his specialties. 

He has been featured in Fine Wood­work­ing and Wood­shop News, as well as other peri­od­i­cals and books. A sought-after keynote speaker, he was also the Chair of the national Furni­ture Society Confer­ence in 2010 at MIT. 

His work is in private and public collec­tions as well as the collec­tions of the Metro­pol­i­tan Museum and the Boston Museum of Fine Arts.

For 25 years and count­ing, our members and commu­nity are the reason The Furni­ture Society has thrived and grown. It’s impor­tant to spot­light these talented artists and recog­nize and thank those that have taken the time to fill out their profile pages and share their work on our website. We feature degree and non-degree grant­ing schools to high­light all the great programs that are out there and what they have to offer. Could you be next?

Chelsea Witt is an artist and educa­tor working in both wood and ink. Currently based in New Jersey, Chelsea has a sculp­ture degree from the Univer­sity of South Florida and is a grad­u­ate of the Furni­ture Inten­sive at the Center for Furni­ture Crafts­man­ship. Chelsea has worked for and studied with artist/​makers such as Alexis Dold, Tyler Hays, Christina Boy, Aaron Fedarko, Tim Rousseau, and David Upfill-Brown. Chelsea has taught at Penland School of Craft, Haystack Moun­tain School of Craft, Peters Valley School of Craft and the Center for Furni­ture Crafts­man­ship. Chelsea currently teaches 3D design and wood­work­ing at Moorestown Friends School and works for both the Furni­ture Society and A Work­shop of Our Own. 

“My prior­ity when teach­ing is to include the excluded and push the bound­aries of ​“the norm” in a wood­shop. My prior­ity as an artist is to explore and push the bound­aries of emotional and mental health.”

Michael O. Moore designs and makes custom furni­ture and other items on Boston’s North Shore.

On an extended busi­ness trip Michael spent a Satur­day at the Art Insti­tute of Chicago and came across a mesmer­iz­ing music stand by Wendell Castle. That event and his exist­ing inter­est in furni­ture and wood­work­ing even­tu­ally led him to become a maker.

And of course, a music stand had to follow too. The first was made for a daugh­ter who plays the flute. He’s made many more and contin­ues to explore the form.

Wells Mason is an Amer­i­can designer and sculp­tor. He founded Iron­wood Indus­tries in 1995. He has exhib­ited his work in galleries and museums around the country, and he’s been featured in count­less regional, national, and inter­na­tional publi­ca­tions. He’s a member of the Amer­i­can Craft Council, the Furni­ture Society, and the Inter­na­tional Sculp­ture Center, and he serves on the board of the Hunt­ing­ton Sculp­ture Foun­da­tion. He’s also a writer, curator, and commu­nity activist – with a history of impos­si­ble-sound­ing commu­nity projects. These days, he focuses on studio furni­ture and contem­po­rary sculp­ture. He’s based in Coup­land, Texas.

David Knopp has explored the aesthetic qual­i­ties of line for many years, first with life draw­ings, then with sculp­ture. Based in Balti­more, Mary­land, Knopp made his first sculp­tures with plywood and was surprised to discover the linear strata inher­ent in the medium. Knopp creates flowing, liquid lines that engage the senses as the eye travels over the compli­cated contours of his objects. His pieces are func­tional, but he tends to focus on the aesthetic qual­i­ties rather than design prin­ci­ples. Every finished piece is one of a kind. In 2012 Knopp received the Mary Sawyer Baker Artist Award, which included an exhibit at the Balti­more Museum of Art. He was a recip­i­ent of Mary­land State Art Council’s Indi­vid­ual Artist Award in 2012. In 2013 he was a semi-final­ist for the Sond­heim Prize. Since then he has been invited to exhibit work through­out Balti­more, DC and Philadel­phia metro­pol­i­tan areas. Knopp was accepted in juried exhi­bi­tions, includ­ing Craft­forms 2011 through 2016, Living with Craft Invi­ta­tional 2014, SOFA Chicago 2014 and 2016, Delaware Center for Contem­po­rary Art 2013, 2014, The Center for Art in Wood in 2016, and the Delaware Art Museum Craft Exhi­bi­tion in 2019. One of his sculpted chairs is in the perma­nent collec­tion of the Amer­i­can Vision­ary Art Museum in Balti­more, MD.

Brian Wurst is the lead instruc­tor in Haywood Commu­nity College’s Profes­sional Crafts Wood program in Clyde, NC. He began his career as a commer­cial archi­tect, then tran­si­tioned to the more hands-on, personal-scale role of wood­worker. From his Asheville studio he has since fash­ioned work across two decades for galleries, homes, and busi­nesses in the region and beyond. While teach­ing full-time, Brian still under­takes occa­sional exhi­bi­tion pieces and commis­sions that feature curves, explo­ration of tech­niques, and region­ally-inspired natural themes.

Michael Tudor has been design­ing and making furni­ture in Elkhart, Indiana, for over 40 years — in addi­tion to a 30 year engi­neer­ing career in manu­fac­tur­ing (not furni­ture). Self-taught, he has had a piece accepted into the Elkhart’s Midwest Museum of Amer­i­can Art’s — Juried Regional Art Exhi­bi­tion twice in recent years and received a ​“Purchase Award” each year. 

Find Michael on the web:
IG — https://​www​.insta​gram​.com/​2​t​u​d​orcf/
FB — https://​www​.face​book​.com/​t​u​d​or.cf

Cambridge, Vermont-based Cather­ine Emil is a designer, wood­worker, and educa­tor living & working in north­ern Vermont. After complet­ing the immer­sion program at Vermont Wood­work­ing School, she co-founded Towards Night­fall, a furni­ture company that builds contem­po­rary, high-quality custom furni­ture for both resi­den­tial and commer­cial clients. She finds her inspi­ra­tion in art, light, and the chang­ing seasons. In addi­tion to running Towards Night­fall, she is also the Direc­tor of the Vermont Woodworking School.

Find Cather­ine on the web: https://www.towardsnightfall.c…

The Vermont Wood­work­ing School recog­nizes the impor­tance of their students belong­ing to a commu­nity and orga­ni­za­tion that supports the field in which they have chosen to study and create a poten­tial career for them­selves. This week, we are thrilled to feature and high­light their 3rd semester students:

Tyler McKee, Matt Menen­dez, & Lucas Thayer

The Vermont Wood­work­ing School recog­nizes the impor­tance of their students belong­ing to a commu­nity and orga­ni­za­tion that supports the field in which they have chosen to study and create a poten­tial career for them­selves. We are thrilled to feature and high­light their 2nd semes­ter students this week:

Allen Audette, Andrew Shoup, Joel Garner, Kainoa F. Chong-Gangl, Phoenix Van Dyk, Porter Pacella, and Rachel Taylor.

I’ve been making my whole life. I have a Masters in Art from the Univer­sity of Guam, and am currently complet­ing a program in Fine Furni­ture Making from Vermont Wood­work­ing School. I work in a variety of mediums, but am currently excited about wood, wood burning, and gold leaf. I love the process of​“rescu­ing remnants” by using left­over pieces from previ­ous works, or found mate­ri­als that would other­wise be scrapped. Natural resources are limited and I am commit­ted to conserv­ing as much as possi­ble. I find the redeem­ing quality of this process an encour­ag­ing metaphor for life: that some­thing that seems broken and discarded can be made new and whole and beau­ti­ful.

You can find Kimberly on the web https://​www​.kimber​ly​mann​.com/ and on Insta­gram: @maker.kimberlymann

Vermont-based Hel Hamil­ton went to college for anima­tion before decid­ing that they preferred working with their hands to sitting in front of a computer. After grad­u­at­ing from MICA, they looked for a wood­work­ing appren­tice­ship before enrolling at the Vermont Wood­work­ing School. After finish­ing the Immer­sion program at VWS, Hel stayed to work in the office as the Programs Assis­tant while spend­ing their free time carving and exper­i­ment­ing with differ­ent woodworking projects.

N.E. Brown was born in Pitts­burgh, PA in 1988. Brown’s work reflects personal expe­ri­ences, empir­i­cal obser­va­tions, and her inter­est in the narra­tive – telling stories of people and places. Brown received her BFA in paint­ing and drawing from Tyler School of Art and her MFA at the Univer­sity of Iowa. She also studied paint­ing and drawing in Rome, Italy. She lived and worked in Nablus, Pales­tine, for 9 months teach­ing English and art as well as creating murals. 

Her work has been exhib­ited in group shows at Circolo Degli Artisti in Rome, Italy; Widener Univer­sity in Chester, PA; and the Colored Girls Museum in Philadel­phia, PA. Ms. Brown’s artwork is included in numer­ous public and private collec­tions includ­ing the Lewis Tanner Moore Collec­tion and the Petrucci Family Foun­da­tion Collec­tion as well as the collec­tion of the Yafa Cultural Center in Balata Refugee Camp.

Find N.E. Brown on the web: https://​www​.nebrow​nart​.com/

Jason Schnei­der is an artist and furni­ture maker from Marquette, Michi­gan. He received his M.F.A. in Furni­ture Design from San Diego State Univer­sity. For 10 years, Jason was the Studio Coor­di­na­tor of the Furni­ture Design and Wood­work­ing program at the Ander­son Ranch Arts Center. He has exhib­ited his work exten­sively through­out the United States, includ­ing SOFA Chicago, the Museum of Craft and Design in San Fran­cisco, ICFF in New York, and the Center for Art and Wood in Philadel­phia, PA. Jason currently teaches Wood­work­ing and Furni­ture Design at North­ern Michigan University.

Find Jason on the web: https://jasonschneiderfurnitur…

Follow him on Insta­gram and Face­book

Coby Unger is a maker of things and a connois­seur of high fives. His back­ground is in wood­work­ing, product design and mess making. He studied Indus­trial Design at Philadel­phia Univer­sity and spent several months as a resi­dent artist at Autodesk’s Pier 9 Work­shop. Coby prides himself on being a profes­sional amateur, and dabbles in many fields. In his design prac­tice he likes to supple­ment his more serous work with playful and humor­ous projects. His recent endeav­ors include a mobile maker lab in India, effi­cient biomass cooking stoves, and low cost pros­thetic devices, as well as playful public furni­ture, skate boards, bicy­cles and some complex wood turn­ings. Currently he is living in Somerville Mass­a­chu­setts and working as an instruc­tor at the MIT Hobby Shop.

Find Coby on the web: https://​www​.cobyungerde​sign​.co…

Follow him on Insta­gram and Face­book

My fine furni­ture and jewelry are inspired by the organic shapes and natural beauty of North Haven, the Maine island I call home. The curve of a sea bird’s wing, the crest of a wave, or the slope of a distant moun­tain are reflected in the pieces I craft. They are intended to serve as both a focal point and a func­tional part of someone’s home.

Each piece is constructed with tradi­tional and contem­po­rary joinery methods and fine-tuned with chisels and hand planes. I use sustain­ably harvested wood and finishes derived from natural oils and waxes in all of my work. As I contin­u­ously learn new tech­niques and find new inspi­ra­tion in my surround­ings, My work evolves and progresses while main­tain­ing my core values of well-crafted, func­tional and beau­ti­ful pieces that will last.

Find Christina on the web: https://www.christinamvincent.…
… and on Insta­gram: https://​www​.insta​gram​.com/​c​h​r​i​s​t​i​n​a​m​v​i​n​cent/

A BFA grad­u­ate of the Cal State Long Beach 3D Media: Wood, Metal, Fiber program, Martin Hernan­dez is an inter­dis­ci­pli­nary crafts person with an empha­sis in tech­ni­cal skill mastery and concep­tual art. His studio prac­tice consid­ers tradi­tional and modern approaches to art as cultural produc­tion, while crit­i­cally engag­ing with design and produc­tion methods that inhabit various contemporary spaces.

Find Martin on the web: https://www.martinalexanderstu…

Abraham Tesser, now based in Athens, Georgia, started build­ing furni­ture as a hobby over 40 years ago. After retir­ing from academe, about 20 years ago, he became serious about design­ing and build­ing furni­ture. His wood­work­ing style reflects his acad­e­mic back­ground in several ways. He thinks long and hard about design and construc­tion issues before creat­ing the first bit of sawdust. He reads vora­ciously about design, wood­work­ing, and​furni­ture, and enjoys writing and lectur­ing about these topics. 

Find Abraham on the web: https://​tesser​fur​ni​ture​.com/

Asheville, NC-based maker Rebecca Juli­ette-Duex was intro­duced to the value of craft at an early age. During visits to her mother’s child­hood home in rural Western Penn­syl­va­nia, she observed how her grand­par­ents found solace in their own hand­craft; her grand­fa­ther, a coal miner, in his wood­shop and her grand­mother with needle and thread or yarn. An immer­sion in weaving (2017 – 19) and wood­work­ing (2019 – 21) at Haywood Commu­nity College has been an oppor­tu­nity to build the skills neces­sary to honor the legacy of her grand­par­ents. Rebecca’s work brings wood and fiber into conver­sa­tion to tell the story of her own creative heritage and to inspire others to do the same.

After a half-hearted attempt at a law degree, Alf Sharp discov­ered his true voca­tion in fine furni­ture­mak­ing. Thirty-five years later he’s still at it with as much enthu­si­asm as at the begin­ning. Almost all work is done on a custom commis­sion basis, in close collab­o­ra­tion with clients and their design­ers. Special­iz­ing in 18th and 19th Century Amer­i­can and Euro­pean design, Sharp also enjoys Beider­meier, Art Deco, Chinese, and contem­po­rary design. His own orig­i­nal work has, most often, at least a toe-hold in tradi­tion. Sharp has pieces in histor­i­cal homes and museums through­out the US, as well as in fine private homes nation­ally. He is the recip­i­ent of the 2008 Cartouche award from The Society of Amer­i­can Period Furni­ture Makers. He is past Pres­i­dent of the Furni­ture Society. When not absorbed in the wood­shop or playing with his grand­chil­dren, he enjoys restor­ing and driving classic British sportscars.

Find Alf on the web: http://​www​.alfred​sharp​.com/

Artist and teacher Travis Townsend draws, builds, rebuilds, paints, and tinkers upon wood and mixed media sculp­tures in his Lexing­ton, Kentucky studio. His process-oriented works evolve from sketches and travel through many trans­for­ma­tions before being cut apart, reassem­bled, and reworked (some­times many years later). Parts are often trans­planted or recycled.

He has been a resi­dent artist at Penland School of Craft, Oregon College of Art and Craft, Vermont Studio Center, and Peters Valley School. His awards include an Emerg­ing Artist Grant from the Amer­i­can Craft Council, a fellow­ship from the Kentucky Arts Council, three sculp­ture grants from the Virginia A. Groot Foun­da­tion, and recent travel grants from the Great Meadows Foundation.

Find Travis on the web: https://​trav​is​townsendart​.com/…

Fred Rose is a self-employed artist living in Costa Mesa, Cali­for­nia. He has been making wood sculp­ture for the last 25 years. He is influ­enced by the writ­ings of Eric Sloan and John Seymour, and the works of such artists as Noguchi, David Nash, Martin Puryear, Guiseppe Penone, and his own child­hood along the river and in the forest.

Fred Rose is inter­ested in how the spec­trum of tradi­tions in wood from util­i­tar­ian wood­work­ing, wood sculp­ture, and folk art can act as visual poetry about the nature of the phys­i­cal world or the quirks of being human.

Find Fred on the web: https://​www​.face​book​.com/fred.…

Designer, maker, and educa­tor Sharon C. Mehrman is based in Florence, Mass­a­chu­setts, where she owns and oper­ates a one-woman work­shop. Her work has been juried into nation­ally recog­nized museum exhi­bi­tions and craft shows, and she received the 2015 Popular Wood­work­ing Maga­zine Wood­work­ing Excel­lence Award for her piece The Thread Chest. She holds a Master’s of Design and a Grad­u­ate Certifi­cate in Public History from the Univer­sity of Mass­a­chu­setts Amherst. Sharon brings over 30 years’ prac­ti­cal expe­ri­ence as a designer and wood­worker to her work as a researcher and histo­rian of mate­r­ial culture, historic wood­work­ing trades, tools, and tech­nol­ogy. She is a research fellow at Winterthur in Delaware and is the Direc­tor of the Master Furni­ture Program at Hill Insti­tute in Florence, Mass­a­chu­setts, where she teaches wood­work­ing and furniture making.

Find Sharon on the web: https://www.sharonmakesfurniture,com/

“I design one-of-a-kind and short-run pieces mostly on commis­sion, focus­ing on quality joinery, solid wood, modern lines, and often inspired by Islamic tradi­tions. Beston Barnett Design is based in San Diego.”

Find Beston on the web: http://​beston​bar​nett​.com/

I am a self-taught maker special­iz­ing in custom, client-centric furni­ture and acces­sories. My design goal is to attain just the right equi­lib­rium between form, func­tion, art, and craft. My orig­i­nal designs blend the essences of basic Asian and contem­po­rary aesthet­ics, with a fluency in the vocab­u­lary of modernism. I enjoy working coop­er­a­tively with clients in an inter­ac­tive design process, creat­ing pieces that are at once rele­vant to the client, their space, and their lifestyle; that are func­tional; that display a high level of crafts­man­ship; and that include some­thing of my own personal aesthetic. I use hand-selected domes­tic and imported hard­woods, choice soft­woods, and accent­ing in shell, metal, and glass.

Find Michael on the web: https://www.msfinewoodworking.…

“I am from Wiscon­sin and started wood­work­ing while an under­grad at UW-Madison, even­tu­ally earning a BS in Art. I built cabi­nets and furni­ture in London, UK, Rock­land, ME, Milwau­kee, WI, and San Diego, CA. I attended grad school at San Diego State Univer­sity and earned an MFA in Art special­iz­ing in Furni­ture Design. I have taught a class or two at UMass Dart­mouth, Ander­son Ranch, Haystack, Penland, and Center for Furni­ture Crafts­man­ship. Now I teach full-time in the Wood­work­ing Manu­fac­tur­ing Tech­nolo­gies Depart­ment at Cerri­tos College in Norwalk, California”

Find Reuben on the web: http://​www​.reuben​foat​.com/

Maggie Sasso is a Milwau­kee based artist produc­ing concep­tual bodies of work that express macro-cosmic ideas through micro­cos­mic detail and examine the role of mate­r­ial culture in rela­tion­ship to our collec­tive past. Her instal­la­tions are tactile and pene­tra­ble, employ­ing Great Lakes maritime culture as a cata­lyst to plunge us into narra­tives of emotional and uncanny vast­ness. Using fiber art and textiles tech­niques to stand in for tradi­tion­ally hard-bodied forms, and present­ing objects as theatri­cal props and mate­r­ial relics, Sasso consid­ers the balance between diffi­cult tragedy and humor­ous opti­mism and regards ordi­nary stories from Midwest­ern char­ac­ters as reverent legends.

Sasso has exhib­ited nation­ally, with solo exhi­bi­tions in Madison, WI, Port­land, OR, Lexing­ton, KY and Milwau­kee, WI, and group exhi­bi­tions across the US and Canada, most notably at the John Michael Kohler Art Center, where she was a Exhibit­ing Artist in Resi­dence, and the Haggerty Museum of Art. In 2015 she was the recip­i­ent of a Mary L. Nohl Fund Fellow­ship for Indi­vid­ual Artists. Sasso is a full time artist, her studio is located @ VarWest.

Maggie served on the Board of Trustees of the Furni­ture Society from 2014 – 2019 and as the Student Repre­sen­ta­tive from 2004-05.

Find Maggie on the web: http://​www​.maggiesasso​.com/
… and on Insta­gram: https://​www​.insta​gram​.com/​m​a​g​g​i​e​s​asso/

Santa Fe, NM, based furni­ture maker is also a working anthropologist:

“As an anthro­pol­o­gist and wood­worker, I strive to let the ideas and expe­ri­ence of the client guide the design and process of creat­ing a piece of art or furni­ture. Design­ing a piece and working the mate­ri­als into final form both play their parts in the lived expe­ri­ence of the maker and the client. I like to conduct an ethnog­ra­phy, of sorts, of a poten­tial space for my work to reside- the aesthetic and expe­ri­ence of the client, the lived-in space, how a piece will be inter­acted with, observed and connected with — all these guide design. Over the past 20 years I have worked as an anthro­pol­o­gist doing public health research and devel­op­ment in West Africa and continue with that work today (www​.couffo​.org). My studio is in Santa Fe, New Mexico, where Shauna and I live with our two dogs, Kroeber and Lola.”

Find James on the web: http://​www​.studio​jleslie​.com/

Christo­pher Poehlmann has been design­ing and manu­fac­tur­ing studio furni­ture and deco­ra­tive light­ing since 1985. Currently living and working in Philadel­phia, PA, he has served two terms on the FS Board of Trustees. A life­long advo­cate of fine craft, Poehlmann makes no apolo­gies for his obses­sion with making fake wood objects.

Find Chris on the web: http://​www​.cplight​ing​.com/

Stephen Yusko’s studio is located in Cleve­land, OH, where he creates forged, machined and fabri­cated steel vessels, furni­ture and sculp­ture. Yusko has taught at several schools and univer­si­ties, includ­ing Haystack School of Crafts (ME), Penland School of Crafts (NC), and SUNY Purchase, where he was a Windgate Artist-in-Resi­­dence; and served on the Board of Trustees for the Haystack School. He has exhib­ited his work widely includ­ing the Metal Museum (TN) and the Ruthin Craft Centre (Wales, UK) and has received three Ohio Arts Council Indi­vid­ual Artist Excel­lence Awards and a Cuya­hoga County Creative Work­force Fellow­ship Award. See more on Insta­gram and Face­book at @StephenYuskoStudios.

Find Stephen on the web: http://​www​.stephenyusko​.com/

Born and raised in Western North Carolina, I helped my grand­fa­ther in his wood­work­ing shop as a child and learned tradi­tional South­ern hand­crafts and paint­ing from my grand­moth­ers. Close ties to my family and a love of the moun­tains kept me in WNC even after earning a BFA and K‑12 teach­ing licen­sure from UNC-Asheville. After working for a local crafts­man for a number of years, I enrolled in the Profes­sional Crafts Program at Haywood Commu­nity College and began focus­ing solely on wood­work­ing. While my art has gone through several tran­si­tions over the years, it has remained rooted in my rela­tion­ship with my loved ones, so much so that I named my studio after my two grand­moth­ers. As a real home is built piece by piece, my work is created layer by layer out of wood and paint. The memo­ries and happi­ness that stem from reflec­tion upon my family and child­hood, and that create a sense of home, are inter­preted through color, texture, and pattern. These elements are layered with geomet­ric shapes to convey a sense of depth and history, some­times a like­ness to an actual​“home,” but most impor­tantly, joy.

Find Valerie on the web: http://laurainelilliestudios.c…

Jonah Neumann is a third year student in the Craft and Design program at Sheri­dan College in Oakville, Ontario.

“For me, it’s start­ing from a sketch, tran­si­tion­ing to a design, then to the process of turning a pile of rough lumber into some­thing beau­ti­ful and func­tional. This and the constant chal­lenge of making design deci­sions and working out fabri­ca­tion methods is what makes my job endlessly exciting. 

With a distinct modern approach to design and a large focus on quality of work, I seek to make unique, forward think­ing pieces that stand out, yet are consid­er­ate of their environment.”

Find Jonah on the web: Insta­gram: jonah.neumann

Cameron Block is a designer-maker from St. Catharines, Ontario. He is currently a student enrolled in the Craft & Design: Furni­ture program at Sheri­dan College in Oakville, Ontario.

“I enjoy the unique problem-solving chal­lenges that wood poses. Creat­ing forms that are comfort­able, beau­ti­ful, and func­tional is some­thing that I always strive for. When start­ing a new project, I iden­tify skills that I want to develop and design pieces that will chal­lenge me to grow out of my comfort zone. The pieces often end up show­cas­ing the method by which they were created, flaws and all. When I look back at these pieces, they have an endear­ing quality that captures the spirit of learn­ing and growth.”

Find Cameron on the web: https://​www​.insta​gram​.com/camb…

A designer/​maker from Oakville, Ontario, Neda is a student at Sheri­dan college pursu­ing a bachelor’s degree in craft and design. Her work focuses primar­ily on comfort­able, func­tional designs that inter­act seam­lessly with the human body. Neda has a deep appre­ci­a­tion for the exten­sive processes of wood­work­ing and she is commit­ted to produc­ing high quality work that is time­less in its design.

I am a designer/​maker from Burling­ton, Ontario. I am embark­ing on a second career and am currently enrolled in the Craft and Design Furni­ture program at Sheri­dan College. Having left a career in the finan­cial indus­try, where being creative was frowned upon, I am enjoy­ing exer­cis­ing my design and creative muscles in furni­ture design. I am drawn towards designs and pieces that are solid, strong, and have a presence.

Isabel Catalli is a designer and maker from Missis­sauga ON. She is currently enrolled in the Craft and Design program at Sheri­dan College. Her work is influ­enced by the body, how it moves and how it connects with objects. Each piece is designed with not just a func­tional purpose but with added elements intended to inter­act with the body in a certain way. Isabel uses flowing forms in her work to invite the user to connect to each piece. Her designs aim to incor­po­rate texture and gestural curves as they embrace luxury and comfort.

Find Isabel on the web: https://​www​.insta​gram​.com/icat…

Michael Puryear is a self-taught, nation­ally acclaimed furni­ture designer, and maker who mastered his craft through reading and exper­i­men­ta­tion. Imag­i­na­tive and discern­ing clients will enjoy working with this thought­ful, highly creative designer/​maker to address their furniture needs.

Michael Puryear’s designs are infused with​“shibui”, the Japan­ese term for simple elegance. His disci­plined designs often include curved elements and contrast­ing woods. Michael works primar­ily in wood because of its warmth and appeal to the hand. 

The inspired elegance of Michael Puryear’s furni­ture can compli­ment any modern, contem­po­rary or eclec­tic envi­ron­ment. He is based in Shokan, NY.

Find Michael on the web: http://​www​.michaelpuryear​.com/

“From an early age I have been obsessed with making. I learned the joy and compul­sion for hand­craft­ing from my parents; I grew up working count­less hours along­side my parents either in the garage, wood­shop, or build­ing site. Growing up on an old farm in North­ern Illi­nois there was always a machine to fix, a car to repair, or a board to replace. I left the Mid West to attend college on the East Coast and received a bachelor’s degree in media theory from Brown Univer­sity in Prov­i­dence, RI. Those four years of study­ing crit­i­cal theory continue to inform and inspire me. I have worked design­ing and build­ing custom furni­ture inde­pen­dently and collab­o­ra­tively since 2005. In 2017 I earned an MFA in Furni­ture Design and Wood­work­ing at San Diego State Univer­sity and focused on recon­cil­ing my degree in crit­i­cal theory with my compul­sion to make objects. My studio prac­tice is research and concept-driven yet firmly grounded in the craft of furniture.”

Peter is currently Windgate Assis­tant Profes­sor of Wood­work­ing at the Univer­sity of Arkansas in Little Rock, Arkansas.

Find Peter on the web: http://​www​.peter​scheidt​.com/

Orig­i­nally from Florida, Joel Scilley studied art, archi­tec­ture, and design in New York and Europe and earned a PhD in Media and Cultural Studies. Follow­ing these studies, Joel began working as a designer/​carpenter/​woodworker in 1997. Over time, his carpen­try shifted towards fine wood­work­ing, and he made my first turntable and founded Audiowood in 2008.

Joel was named a​“Person to Watch” and a​“Tech Designer to Watch” by New Orleans Maga­zine and Apart­ment Therapy, respec­tively. He won​“Most Unique Work” awards at New Orleans’ Jazz Fest in 2015 and 2018, was a final­ist in Etsy’s 2019 Global Design Compe­ti­tion, and won​“Best of Show” at The Green Project’s Salva­tions 2019 salvaged design compe­ti­tion.

Joel has lived in New Orleans since 2013.

Check out Joel’s website and Insta­gram pages

Educa­tor, designer, and maker Chris Martin is based in Ames, Iowa, where he is currently Profes­sor of Art and Visual Culture at Iowa State Univer­sity. He holds a BFA in Craft Design (ISU 1990) and an MFA in Furni­ture Design (RISD 1994). In addi­tion to his teach­ing duties at ISU, Chris has designed and produced furni­ture pieces for both commis­sion and gallery exhi­bi­tions. In 2008 Chris and his wife,Tammi, took leave from ISU for two years of service as U.S. Peace Corps Volun­teers in the West African country of Ghana. More recently Chris was awarded a Fulbright Fellow­ship, spend­ing five months in India working with tradi­tional arti­sans and modern crafts­peo­ple to develop a series of contem­po­rary furni­ture pieces that pay rever­ence to the rich­ness of India’s tradi­tional craft culture. 

Find Chris on the web: http://​chris​mart​in​fur​ni​ture​.co…

Based in Winston-Salem, NC, Bruce Brad­ford is a furni­ture designer who is craft­ing unique works with an artis­tic and func­tional signif­i­cance. Inspired by mid-century Danish furni­ture, he likes to incor­po­rate sculp­tural elements into each piece, with the inten­tion of making them​“func­tional works of art”. Born in 1960 in Western Michi­gan, he obtained a BS in Pack­ag­ing Engi­neer­ing from Michi­gan State Univer­sity in 1982. He then moved to Winston Salem, NC in 1983 to work at RJ Reynolds Tobacco Inter­na­tional. He began his profes­sional wood­work­ing career in 1999 when he received his first commis­sion, a free stand­ing wooden spiral stair­case. In 2000 and 2001 he trav­eled to Ander­son Ranch Art Center in Colorado to attend classes led by Sam Maloof spark­ing his passion for chair making. In 2002 he left RJ Reynolds Tobacco Inter­na­tional and concen­trated full time on making and design­ing furni­ture. Over his career he has created over 225 pieces.

Find Bruce on the web: http://www.bradfordcustomfurni…

Rachel David is a Waynesville, NC based black­smith, sculp­tor, designer, and maker. Her metal­work prac­tice is holis­tic; encom­pass­ing art, furni­ture, archi­tec­tural elements, activism, collab­o­ra­tions, and garden­ing. The work focuses on social and envi­ron­men­tal justice, commu­nity, and commu­ni­ca­tion; analyz­ing the many layers of colo­niza­tion, restraints, and expec­ta­tions across bodies and land­scapes. She has exhib­ited work nation­ally and inter­na­tion­ally in solo and group exhi­bi­tions. Her work has been published in numer­ous books and maga­zines and is included in the collec­tions of the City of New Orleans, the Simone Benet­ton Foun­da­tion, and numer­ous private individuals.

Find Rachel on the web: http://​www​.redmetal​.net/

Our members are the reason The Furni­ture Society has thrived for 24 years and count­ing. We feel it’s impor­tant to spot­light those that have taken the time to fill out their profile pages and share their work with the community.