For her upcom­ing solo exhi­bi­tion FAMILY DINNER at the Penland Gallery, Vivian Chin further devel­ops the body of work she began in Passages (those that carried us), expand­ing the series of sculp­tural vessels to incor­po­rate narra­tive marquetry, explor­ing conjoined vessels, larger-scale, and revolv­ing vessels with inte­rior rotat­ing imagery. The marquetry will explore the artist’s narra­tive via child­hood memo­ries, portraits, and food from Chiu’s expan­sive family dinners in Hong Kong.

Connect with fellow makers at the 2025 Furni­ture Society Confer­ence in Syra­cuse. This gath­er­ing is a welcom­ing space to share stories, expe­ri­ences, and creativ­ity within our vibrant commu­nity. Stop by, say hi, and be part of the conversation!

Satur­day June 28, 2025 | 12 – 1:30pm ET | In-person | Furni­ture Society 2025 Confer­ence | Nancy Cantor Warehouse

Super­house is thrilled to debut a new series of online exhi­bi­tions.

The first in the series is Metal Works: 1980 – 1995. This cura­tion features bold, sculp­tural metal furni­ture created by eight pioneer­ing Amer­i­can artists and design­ers during a trans­for­ma­tive era — when furni­ture design evolved into a medium for concep­tual and sculptural exploration

This exhi­bi­tion presents artworks that revel in the incen­di­ary prop­er­ties of wood as a medium. Illus­trated across twenty-six objects by twenty-two artists and largely drawn from the Museum’s perma­nent collec­tion, Cinders delves into the enig­matic tension between perma­nence and fragility that mate­ri­al­izes in fire-treated wood.

Pop-up exhi­bi­tion at the Everson Museum of Art during the confer­ence in June.

After over­whelm­ing success with our first course offer­ings in 2023 and 2024, JRACraft contin­ues our online class history courses with four new courses for summer 2025!​Each course includes four to six weekly live Zoom classes and exten­sive resources for further read­ings and watch­ing. Classes will be recorded and made avail­able for all class regis­trants. JRACraft members and members of partner orga­ni­za­tions receive a discount on all classes.

Katie Hudnall makes tools, furni­ture, and objects that are perfectly suited for a pecu­liar world. The first museum-orga­nized solo presen­ta­tion of Hudnall’s unique and capti­vat­ing work, The Longest Distance between Two Points reveals a rare glimpse into the artist’s rich inner world. Here, the absurd and mechan­i­cally improb­a­ble merges with fine wood­work­ing and salvaged wood mate­ri­als to bring mech­a­nisms and struc­tures to life and action.

Exhi­bi­tion dates: March 7 — July 20, 2025