Monica Hampton has had a life­long inter­est in the arts and educa­tion. Her back­ground is a combi­na­tion of fine arts, art history, educa­tion, and public outreach, with an empha­sis on program devel­op­ment for museums and orga­ni­za­tions special­iz­ing in history, fine art, craft, and design. 

As an inde­pen­dent consul­tant, she produced the Amer­i­can Craft Coun­cil’s 2016 confer­ence. Monica served as the Direc­tor of Educa­tion at The Society of North Amer­i­can Gold­smiths (SNAG) and was formerly the Direc­tor of Educa­tion at the Amer­i­can Craft Council (ACC).

Past posi­tions include working with the Society for Envi­ron­men­tal Graphic Design (SEGD), Metrop­o­lis Maga­zine, and the Cooper-Hewitt.

She studied fine arts and art history at Bard College, received a dual fine arts/​art history BA degree from George Wash­ing­ton Univer­sity, and holds an MS in Museum Educa­tion from Bank Street.

Pam Robin­son is a Chicago-based jeweler, artist, educa­tor, arts admin­is­tra­tor and hockey fan! 

For over 27 years she worked at Lill­street Art Center where she had taught classes, was the Direc­tor of the Metal­smithing, Jewelry & Glass depart­ment and was their Direc­tor of Education.

She is a member of The Society of North Amer­i­can Gold­smiths (SNAG) and served on their Board of Direc­tors. As their confer­ence liaison, she was instru­men­tal in orga­niz­ing, plan­ning and sched­ul­ing confer­ences. She helped imple­ment changes to the struc­ture and sched­ules within the confer­ences and created poli­cies and contracts to stream­line these complex events. In addi­tion, she managed the Educa­tion Dialogue, the Trunk Show, work­shops, and tire­lessly edited the confer­ence brochures. In 2019 she received the SNAG Volun­teer Recog­ni­tion Award for her service. 

She is currently on the board of the Women’s Jeweler’s Asso­ci­a­tion (WJA) — Chicago chapter as their Program­ming VP and was a found­ing member of The Chicago Metals Art Guild (CMAG).

Pam earned her BFA from The School of the Art Insti­tute of Chicago, minored in art history, and studied at The Gemo­log­i­cal Insti­tute of America. She is proud of her commu­nity outreach work, has exhib­ited her work nation­wide, published in books and maga­zines, and is happi­est when she’s in her studio creat­ing and sharing her passion with others.

Rebecca Juli­ette-Duex was intro­duced to the value of craft at an early age. During visits to her mother’s child­hood home in rural Western Penn­syl­va­nia, she observed how her grand­par­ents found solace in their own hand­craft; her grand­fa­ther, a coal miner, in his wood­shop and her grand­mother with needle and thread or yarn. An immer­sion in weaving (2017 — 19) and wood­work­ing (2019 — 21) at Haywood Commu­nity College has been an oppor­tu­nity to build the skills neces­sary to honor the legacy of her grand­par­ents. Rebecca’s work brings wood and fiber into conver­sa­tion to tell the story of her own creative heritage and to inspire others to do the same.

Jacklyn Scott was born into an artis­tic family and spent most of her child­hood in her mother’s clay studio, volun­teer­ing at craft centers and working summers at Peters Valley School of Craft during college. Her expo­sure to the beauty of hand­made objects and the inter­est­ing people who make them, led her to study and earn a degree at the Tyler School of Art in Philadel­phia where she explored her many inter­ests in print­mak­ing, sculp­ture and ceram­ics. From 2014 – 2018 she worked at Hood College as the Studio Manager for the Art Depart­ment where she earned her M.A. in Ceramic Arts.

In 2020, Jacklyn relo­cated to Memphis, Tennessee to work for Arrow Creative as the Programs Manager where she oversaw the reno­va­tion of a 24,000 sq ft build­ing to create 16 artist studios, 10 offices, and 3 commu­nity studios. She also served as co leader for the Memphis Chapter of the Rising Tide Society. 

Jacklyn is currently working out of her studio, Craft Into Art, in Ding­mans Ferry, Penn­syl­va­nia teach­ing art classes.