Kate David­son is a wood­worker, craftsper­son, and educa­tor whose work ranges from func­tional furni­ture to sculp­tural play. Orig­i­nally from New England, she began working in histor­i­cal restora­tion carpen­try while living on the coast of Maine, even­tu­ally enrolling at the Vermont Wood­work­ing School and later grad­u­at­ing from UW Madison’s Wood­work­ing and Furni­ture MFA program. Her pieces have been exhib­ited nation­ally, includ­ing at the Esher­ick Museum and Museum for Art and Wood in Penn­syl­va­nia and through Craft Desert in San Diego, and she has partic­i­pated in resi­den­cies at Penland School of Craft and the Center for Furni­ture Crafts­man­ship. Most recently she spent the 2024 summer as the Wood­work­ing Studio Coor­di­na­tor at Peters Valley School of Craft, before begin­ning a new posi­tion at Contem­po­rary Craft, in Pitts­burgh. Besides creat­ing her own multi-media pieces, her work focuses on the impor­tance of collab­o­ra­tion and commu­nity in craft and woodworking spaces.

IG: @katekatecameron

As a grad­u­ate of North­ern Michi­gan Univer­sity, Darcy Resch majored in Art and Design with a concen­tra­tion in Wood­work­ing and Furni­ture Design. Start­ing in 2025, Darcy will be pursu­ing a Master of Archi­tec­ture at the Univer­sity of Melbourne in Australia. Until then, she will work as a Project Coor­di­na­tor and Wood­worker at Signa­ture Wood­work­ing in Minnesota while also being a content writer for The Furni­ture Society. Her furni­ture speaks a contem­po­rary and mini­mal­is­tic language focus­ing on line and negative space.