Dorothy Dunn is a creative leader and cata­lyst, cultural producer and educa­tor. She is a Special Trustee of the Sara Little Turn­bull Foun­da­tion and a strate­gist for family foun­da­tions. Working with the Smith­son­ian Insti­tu­tion, Munic­i­pal Art Society, Open House New York, The Getty Center, The Carnegie Corpo­ra­tion of New York, Robert Rauschen­berg Foun­da­tion, Buck­min­ster Fuller Insti­tute, the Philip Johnson Glass House, and AIGA, among others, Dorothy is recog­nized for launch­ing orga­ni­za­tions, cross-disci­pli­nary programs, commu­nity engage­ment, strate­gic part­ner­ships, and prod­ucts that promote creative engage­ment and stim­u­late posi­tive lead­er­ship and action.

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Joshua Enck is a sculp­tor, designer, drafts­man, and illus­tra­tor who teaches and main­tains an active studio prac­tice in Rochester, New York. He trained as an archi­tect and a furni­ture designer, receiv­ing his MFA in furni­ture design from the Rhode Island School of Design and his BSAS from the School of Archi­tec­ture at the Univer­sity of Illi­nois. He taught for ten years at RISD: drawing, three-dimen­sional design, tech­ni­cal drawing, wood­work­ing, and metal­work­ing. He has also taught wood­work­ing at the Ander­son Ranch Arts Center and drawing at the Univer­sity of Illi­nois, Williams College, and the Univer­sity of Rochester. Joshua has exhib­ited his work in solo shows at Simon Gallery, the Univer­sity of Maine Museum of Art, and Space Gallery. The Rhode Island State Council on the Arts, the Society of Arts and Crafts in Boston, and the Center for Art in Wood in Philadel­phia have honored his work. Joshua recently returned from five months in India as a Fulbright Nehru Scholar, research­ing tradi­tional metal­smithing and teach­ing at the Sushant School of Design.

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Karen Ernst is a Profes­sor in the Art Depart­ment at PennWest/​Edinboro Univer­sity of Penn­syl­va­nia, teach­ing Woodworking/​Furniture Design. She holds an MFA from the Rhode Island School of Design and has over twenty years of wood­work­ing and design expe­ri­ence. Her work has been exhib­ited across the US and is included in many private collec­tions. Karen recently retired as the Pres­i­dent of the Board of Trustees of The Furniture Society. 

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