Thursday, June 20, 2019
In 1997 the Furniture Society held its first conference, in Purchase, New York. One of the attendees was Glenn Adamson, then a young graduate student. The following year, in San Francisco, he gave his first public lecture at the Furniture Society’s conference in San Francisco. His first published writing was in the Society’s journal, Furniture […]
Wilson will discuss Afrofuturism using examples from her practice and engage in a conversation around transformative pedagogies that consider other traditions in looking to (re)legitimatize the American canon in the visual arts, craft and design and liberate it from its primary Western European focus.
A look at some practical skills to help grow and navigate the business challenges of being an independent artist today, this presentation focuses on how to evaluate situations to make informed decisions that are best for your future and your unique artistic voice. Gleaned from the lived experience of starting and running an art business, […]
What happens when we shift the context of our work, moving furniture from an intimate context and onto the sidewalk? Emily Bunker explores case-studies in outdoor furniture design: considering historical precedents, playful interventions, new design methodologies, and the skill-sharing programs shaping our cities.
If studio furnituremaking is not visible, its techniques not taught, and its practitioners unknown, it doesn’t have a future. New Zealand is a case study in loss – while furniture makers exist, their education is acquired elsewhere, learned from disappearing masters or self-taught. This presentation outlines D Wood’s research and queries how we ensure that […]
Video represents a way of working with light and time, rather than matter and space, but artists and makers who build their practices on materials are increasingly shaping their voices in video. Whether satirizing how-to clips, or performing gestures of process, their works assert that making is as much about ideas as it is about […]
Discover the 4,000 year old history of chair caning that spans the globe from Middle Kingdom Egypt to Mid-Century Scandinavia. Learn about materials, process, contemporary applications, and how chair makers have employed these woven materials to chairs.
What are the links between cognition and skilled use of the hands? This presentation explores the resurgence of both popular and intellectual interest in Craft as well as historical systems such as Educational Sloyd that believe in the importance of hand-skills for the development of the whole person. Harrington aims to encourage dialog around the […]
Friday, June 21, 2019
In this presentation, Kathryn Hall, Curator at Houston Center for Contemporary Craft, will discuss strategies for the display of furniture from show rooms to galleries and pop-up spaces. She will draw from historical precedents and contemporary examples that demonstrate creative ways to activate the work, add context, and encourage careful and thoughtful interaction with the […]
An exploration of furniture-making and functionality through the eyes of a contemporary artist and art fabricator.
Restoration and repair work requires a unique set of tools, techniques, and responsibilities, especially when working on older pieces. Paul Henry and Alf Sharp discuss how to enforce American Institute of Conservation guidelines in the shop, revealing the choices they make and techniques they’ve used in specific case studies.
Much of Alicia Dietz’s work stems from her experiences as an officer and Blackhawk Helicopter test pilot. While seemingly two different areas of expertise, her career in the Army unexpectedly prepared her to design and build. Conducting workshops with other veterans, they make – allowing people to change gears, put their hands to work, and […]
Dr. Sarah Anne Carter will share projects drawn from more than two decades of Chipstone’s curatorial work that embody the Chipstone ethos of sharing curatorial authority, encouraging collaboration, telling culturally meaningful stories, embodying a clear point of view, and valuing the power of wonder.
Founder of Mario Costantini Ltd. and La Lune Collection, Mario Costantini discusses entrepreneurship, design, philanthropy, and the secret to integrating these into a successful business and life and how creativity and business skills can benefit and grow for-profit and non-profit organizations.
In 2008 a simple email exchange resulted in a coffin-making apprenticeship for Michael deForest at the Kane Kwei Workshop in Teshie, Ghana, West Africa, with Eric Adjetey Anang. Learn about this partnership and how they informed each other’s work – and world views.
Saturday, June 22, 2019
Monica Obniski and Zoë Ryan, curators at the Milwaukee Art Museum and Art Institute of Chicago, discuss their most recent exhibition projects and the extensive research that led to them. Chaired by Glenn Adamson.
Dr. Sarah Anne Carter will share her research into the history of finding ideas in things and will lead participants through a series of hands-on activities with objects from the Chipstone collection.
Hear how Kent Knapp, the head of his family-owned and operated blacksmithing shop, navigates the techniques of their 5000 year old craft and incorporates modern technology. Kent will share the trials, tribulations and successes of taking family business up a notch, by adding cameras and producers to the mix of some over the top project […]